Sella et Choro

Michiel Spijkers debut film still from Sella et Choro, featuring two figures leaning close together against a warm orange backdrop.

Sella et Choro marks Michiel Spijkers' first film, built as a personal bridge between his photography and moving image.

Two separate entities drift toward each other and finally meet, set inside an atmosphere of colourful design furniture; the film ends the moment they connect.

Vimeo thumbnail for a Michiel Spijkers film project.
Two figures lean close together in an intimate moment, warm orange tones, in Sella et Choro.
A figure sits in a sculptural red chair beside a blue cube, framed against a pale blue wall.
Close, motion-blurred gesture of a hand and arm, abstracted.
Overhead view of a figure lying in fallen leaves, wearing a blue wrap, seen from above.
Still life of colourful design objects, a red vase, a mustard stool and geometric shapes, set the film's visual tone.
Two figures interact near a table and yellow stool, one seated on the floor in warm rust tones.
A silhouetted figure is lit from behind by a bright shape, set against deep blue.
A figure lies across a sunlit surface draped in white fabric, shot with dramatic side light.
Two figures lean close together in an intimate moment, warm orange tones, in Sella et Choro.
Still life of colourful design objects, a red vase, a mustard stool and geometric shapes, set the film's visual tone.
A figure sits in a sculptural red chair beside a blue cube, framed against a pale blue wall.
Two figures interact near a table and yellow stool, one seated on the floor in warm rust tones.
Close, motion-blurred gesture of a hand and arm, abstracted.
A silhouetted figure is lit from behind by a bright shape, set against deep blue.
Overhead view of a figure lying in fallen leaves, wearing a blue wrap, seen from above.
A figure lies across a sunlit surface draped in white fabric, shot with dramatic side light.

About the project

Sella et Choro was Michiel’s first attempt at film, made to test whether his photographic signature could carry over into moving image. It marked the first step toward a more editorial approach in his largely photography-based practice.

The loose narrative follows two separate entities drifting toward each other inside a space furnished with colourful design pieces; the film ends the moment they meet. Michiel still places it at the very front of his portfolio.

Michiels role

  • Concept

  • Direction

Output

☐ One short film

Credits

Production: Sticky Stuff
Producer: Sistine Loman, Lotte van der Wildt
Talents: Madoka, Kele

Director: Michiel Spijkers
DOP: Daan Huttinga
Creative Director: Michiel Spijkers
Styling & Set Design: Lobke de Dreu
Focus Puller: Ian Heijblom
2nd AC: Colin Dust
Gaffer: Thijs Besteman
Best Boy: Joep Fransen
Light Assistant: Ole Kroes
Styling assistance: Eline Boer
Styling assistance: Daantje van Doorn
MUAH: Emma Rosa

Edit: Michiel Spijkers, Daan Huttinga
Sound: Martijn Ruytinx
Grade: Davey Rietmeijer

Let’s talk about your project

Let’s talk about your project

Available for campaign photography, film direction, creative direction or visual advice. Send a short note about the project, timing and what the work needs to do.

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3515 EN Utrecht

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3515 EN Utrecht

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Michiel Spijkers

Michiel Spijkers

Michiel Spijkers

Michiel Spijkers